I had asked Jolie a few days ago if I could fly with her, and she told me she had never taken a passenger up before but would think about it. When I arrived at the photo shoot, I told her that I mentioned to my mother that I might fly with her and that my mother did not like the idea one bit. Jolie laughed it off. Now, as I am watching her kick off her stilettos (she pilots barefoot) and step up onto the wing of her little white plane, she stops for a second and stares at me standing off to the side. There is a glint in her eye. A big smile spreads across her face. “Let’s go scare your mother,” she says.
Only as I am jammed in the back next to Leibovitz, bumping along the dinky little runway, does the reality of what I’m doing sink in. I imagine the headline: ANGELINA JOLIE AND ANNIE LEIBOVITZ DIE IN PLANE CRASH NEAR LAS VEGAS. I try to remember who went down with Patsy Cline, but I can’t. I am about to become a trivia question. I tell myself this will be a suitably fabulous way to die, and just like that we are in the air, floating above the desert, and my nerves are gone. “I’ll do some tight turns,” says Jolie. “Maddox likes it when there are g-forces.” [x]
In The Master, In order to achieve the effect of clenching his mouth and talking out of one side, Joaquin Phoenix had his dentist attach metal plates to his teeth with rubber bands to hold them shut. The rubber bands weren’t strong enough to hold his mouth shut, so he removed them. But the metal plates, complete with screws that slightly cut up the inside of his cheek, were enough of a constant reminder that it allowed him to play that aspect of the character (x).